After two and a half years working with the very talented folks at Glassworks London, it is time for me to move to a bigger team where to put my skills through the many challenges ahead.
What a wonderful experience to work again with Sonny London and MJZ LA on the latest H&M project featuring David Beckham and Kevin Hart on a journey to Vegas, full of accidents and laughs.
There are few projects where a director's vision is so radical, creative and demands such a technical effort as to challenge every single artist to the limit.
It feels like I found my voice in between the most traditional effects and the very cutting-edge technology, and in this new chapter, this is a great representation of working for the story rather than for the fireworks of accomplished VFX.
What a wonderful project to be part of, in my opinion the bravest creative agency putting a radical proposition forward and actually pushing for it till the end.
This edition of Mundos Digitales has been specially incredible, the speaker line up was fantastic, the material shown gets better and better every year and ended up being very special to me.
I will relish this one all my life, working with one of the best directors in the world, a brave creative team and some of the most talented artists to bring something truly special to the screen.
After Autodesk decision to abandon Softimage I took upon myself to use my little spare time to help the community to transition to what I believe is the best tool for any FXTD and CG artist.
It has been an amazing journey, thanks Softimage for the magic, I only hope we users, find a new tool to replace this incredible one with. Not easy, that I know.
I can safely say I have been waiting years for a job like this to appear in the radar, needless to say when we were awarded the job, we were literally over the moon.
This may have been one of the most difficult jobs I have done due to the nature of the deconstruction process and how complex it is to make a system directable.
A brilliant little project I really did enjoy from start to finish, specially because it was 3D free and it was all about ingenuity and craft rather than trying to do 3D where we didn’t need to.
