Portfolio

Huawei 'Mate 8'

Huawei ramping up their brand and quality of their product renders.

Fede Cabral 'La mitad del sentimiento'

A surreal music video for Fede Cabral's solo album, 'Plexo Solar', and a lot of fun to do.

Visa 'Heart'

An enigmatic and fascinating piece by one of the best directors out there.

Puma 'Powered by fans'

What a joy being being able to shoot at Arsenal with these elite athlets which, by the way, are quite grounded to Earth.

Honda 'Endless Road'

There are few projects where a director's vision is so radical, creative and demands such a technical effort as to challenge every single artist to the limit.

Buchanan's Illusionist'

It feels like I found my voice in between the most traditional effects and the very cutting-edge technology, and in this new chapter, this is a great representation of working for the story rather than for the fireworks of accomplished VFX.

Taylor's 'Welcome to Coffe'

What a wonderful project to be part of, in my opinion the bravest creative agency putting a radical proposition forward and actually pushing for it till the end.

Thomson 'Simon The Ogre'

I will relish this one all my life, working with one of the best directors in the world, a brave creative team and some of the most talented artists to bring something truly special to the screen.

ID 'More than a model'

What is not to like, filming with Rosie Tapner and the guys from AC/CD/CD

Absolute 'Transform Today'

A super creative set of films for Ryan Hope, not many effects but what a wonderful journey this was... quite something...

Carlsberg 'The Ride'

I can safely say I have been waiting years for a job like this to appear in the radar, needless to say when we were awarded the job, we were literally over the moon.

G-Star 'Destroy To Construct'

This may have been one of the most difficult jobs I have done due to the nature of the deconstruction process and how complex it is to make a system directable.

DaVinci's 'Demons'

An extravagant episodic project where we worked on all the sea battles and set extensions, along with tons of blood.

Hyundai 'Geneva Motorshow'

A phenomenal opportunity to direct the Geneva motorshow's large screens that would be supporting the launch of the new Santa Fe model.

Reebok 'Classics'

A brilliant little project I really did enjoy from start to finish, specially because it was 3D free and it was all about ingenuity and craft rather than trying to do 3D where we didn’t need to.

Dr. Easy

Shoot supervision for the short film Dr. Easy was not meant to be easy, at night, cold and in the middle of a run down area of London, this was a fun project to work on.

Ancestry 'Blacksmiths'

My first direction job with real actors, wow, I was not expecting it would be so intense and fun at the same time.

Heineken 'Crack The Case'

I had the opportunity to work on this new installation of Heineken for the renowned director Matthijs van Heijningen with none other than Daniel Craig, pretty crazy stuff.

Muller 'Wonderful Stuff'

A wonderful adventure in the world of Muller, now let's throw everything we have at it and make it bigger, better and as crazy as we can. Now how to do this??

Sunlight 'Kabbadi'

When I was given the opportunity to direct another animation job I was so excited, specially Sunlight that was a very nice realistic looking job with live action.

Phillips 'LED'

An interesting take on the journey of light, we did hopefully make our shots totally invisible.

Verizon 'Droid Charge'

A great opportunity to put my latest research in true motion, not only little tests, but truly a new approach to our lighting pipeline that permitted us to produce such a huge job in record time without suffering too much.

Comfort 'Gap'

My directorial debut was a wonderful experience where I feel a part of me lives. From the script, editing and planning to the production journey, I have memories I will cherish forever.

Audi 'Paper Liberation'

This is one of those jobs that pushes our technical tricks to the limit, from the shoot itself that required lots of time and effort to the actual paper carving and of course, paper landing in a natural way but directable and for this we used every single tool under the sky.